Goldsmiths Press, London
1st edition, 2018
90 pages
Published on the occasion of her exhibition at CCA, ‘Sexual Warfare’ presents key work by Alexis Hunter (1948 – 2014) made between 1968–86. The exhibition brings her acerbic critique into dialogue with the contemporary moment and reinforces her importance both as an artist and a feminist.
An influential figure in the Women’s Art Movement in Britain in the 1970s, Hunter is best known for her staged photographic works in which she used the medium as a tool to manipulate normative power dynamics within society through gender role-play and fetishised objects.
Goldsmiths Press, London
1st edition, 2018
90 pages
Published on the occasion of her exhibition at CCA, ‘Sexual Warfare’ presents key work by Alexis Hunter (1948 – 2014) made between 1968–86. The exhibition brings her acerbic critique into dialogue with the contemporary moment and reinforces her importance both as an artist and a feminist.
An influential figure in the Women’s Art Movement in Britain in the 1970s, Hunter is best known for her staged photographic works in which she used the medium as a tool to manipulate normative power dynamics within society through gender role-play and fetishised objects.